Dorival Caymmi – The Voice and Guitar of Dorival Caymmi (1960)

21 06 2013

Link original: Dorival Caymmi – The Voice and Guitar of Dorival Caymmi (1960)
Publicado em: Wednesday, December 31, 2008 by zecalouro

The VoiceAndGuitar-Dorival Caymmi

Hello, good evening! I would like to a Happy New Year to the whole Loronix community and also say THANK YOU for the support and dedication you give to Loronix since May 2006. Thanks once again.

2008 was a special year; however, it was also the year that Dorival Caymmi left us. Thus, I would like to leave 2008 with Dorival Caymmi and this beautiful cover featuring a beautiful panting to send positive vibrations to everybody. This is the US Capitol issue of Odeon’s Dorival Caymmi – Eu Nao Tenho Onde Morar (1960), with arrangements by Maestro Lindolpho Gaya. I will keep my original text. Let’s see.

DorivalEuNaoTenhoOndeMorar

This is Dorival Caymmi – Eu Nao Tenho Onde Morar (1960), for Odeon and made available here with an US Capitol reissue, featuring several well-known Caymmi compositions, such as: Rosa Morena, Marina, O que e que a Bahiana Tem, Acalanto among many others. We probably know these tunes through other artists’ interpretation and now it is time to hear how they perform with Dorival Caymmi, who says the only artist that makes definitive versions of his music is Joao Gilberto. Nana Caymmi is special guest on track 04 – Acalanto and Maestro Lindolfo Gaya is in charge of orchestra arrangements. Don’t miss Dorival Caymmi’s video performing at at Bahia de Todos os Sambas documentary. Tracks include:

01 – Eu Não Tenho Onde Morar (Dorival Caymmi)
02 – Rosa Morena (Dorival Caymmi)
03 – Acontece Que Eu Sou Baiano (Dorival Caymmi)
04 – Acalanto (Dorival Caymmi) with NANA CAYMMI
05 – Vestido de Bolero (Dorival Caymmi)
06 – O Dengo Que a Nega Tem (Dorival Caymmi)
07 – Dora (Dorival Caymmi)
08 – O Que É Que a Baiana Tem (Dorival Caymmi)
09 – A Visinha do Lado (Dorival Caymmi)
10 – Adeus (Dorival Caymmi)
11 – São Salvador (Dorival Caymmi)

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Este disco pode ser buscado no Samba na Caixa.





Dorival Caymmi – Caymmi (1985)

12 05 2013

Link original: Dorival Caymmi – Caymmi (1985)
Publicado em: Monday, August 18, 2008 by zecalouro

CapaLPFront

CapaLPBack

I received couple of messages with congratulations to Loronix tribute to Dorival Caymmi. However, I was not comfortable by missing the chance to introduce and remember Dorival Caymmi with music. I woke up this morning with a non schedule Mom’s visit and this album, by the way, a double album featuring Dorival Caymmi on the first LP with his violao and Dorival Caymmi at the second LP with Radames Gnattali. My mother ran to a store on Saturday, getting this one for our tribute. You should thank her for the initiative.

It is important to mention a strange coincidence here, which is the photo used yesterday on the tribute and the speeches of Antonio Carlos Jobim, Jorge Amado, Caetano Veloso and Carybe available at the first LP. Unfortunately, my scanner stills defective, delivering white stripes. I hope I can manage a new one tomorrow and update this post with this really amazing album. Let’s see.

This is Dorival Caymmi – Caymmi (1985), recorded by Fundacao Emilio Odebrecht to celebrate Dorival Caymmi 70th anniversary in 1985. This is not a commercial album, distributed only to Fundacao Emilio Odebrecht customers. Caymmi is 100% made of new recordings with Dorival Caymmi and his violao on the first LP and Dorival Caymmi with Maestro Radames Gnattali on the second LP. I’m confident this is what we need to make the best possible tribute to the Master.

God Bless Dorival Caymmi. Tracks include:

Personnel

Dorival Caymmi
(music, voice, violao)

Radames Gnattali

(piano, arrangements)

Aloisio Didier
(keyboards)
Joel Nascimento
(bandolim)
Luiz Otavio Braga
(violão 7 cordas)
Mauricio Carrilho, Joaquim dos Santos
(violao)
Henrique Cazes
(cavaquinho)
Dazinho
(flute)
Oscar Bolao, Beto Cazes
(percussion)
Zeca Assumpcao
( bass)
Camerata Carioca
(choir)

Track List

DORIVAL CAYMMI & VIOLAO

01 – Depoimento de Jorge Amado
02 – É Doce Morrer no Mar (Dorival Caymmi / Jorge Amado)
03 – Festa de Rua (Dorival Caymmi)
04 – A Preta do Acarajé (Dorival Caymmi)
05 – Canção da Partida (História de Pescadores) (Dorival Caymmi)
06 – A Lenda do Abaeté (Dorival Caymmi)
07 – O Que É Que a Baiana Tem (Dorival Caymmi)
08 – Depoimento de Caetano Veloso
09 – Depoimento de Tom Jobim
10 – Das Rosas (Dorival Caymmi)
11 – Dora (Dorival Caymmi)
12 – Eu Fiz Uma Viagem (Dorival Caymmi)
13 – Peguei Um Ita no Norte (Dorival Caymmi)
14 – Maracangalha (Dorival Caymmi)
15 – Acalanto (Dorival Caymmi)
16 – Depoimento de Carybe

DORIVAL CAYMMI & RADAMES GNATTALI

01 – Caymmiana (Radamés Gnattali) Instrumental
02 – Você Já Foi à Bahia (Dorival Caymmi)
03 – João Valentão (Dorival Caymmi)
04 – O Samba da Minha Terra (Dorival Caymmi)
05 – Sargaço Mar (Dorival Caymmi)
06 – A Mãe D’água e a Menina (Dorival Caymmi)
07 – Pescaria (Dorival Caymmi)
08 – Vatapá (Dorival Caymmi)
09 – Marina (Dorival Caymmi)
10 – Dois de Fevereiro (Dorival Caymmi)
11 – Oração de Mãe Menininha (Dorival Caymmi)

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Como não está disponível em nenhum local, estamos disponibilizando provisoriamente na forma de um magnet link. OBS: não se esqueça de deixar semeando  depois que você terminar de baixar (uma boa razão seria pelo menos 2 vezes o que você baixar!)





Dorival Caymmi

12 05 2013

Link original: Dorival Caymmi
Publicado em: Sunday, August 17, 2008 by zecalouro

MÚSICA BAHIA / DORIVAL CAYMMI

Tom-CaymmiANTONIO CARLOS JOBIM

Eu conheci o Dorival Caymmi nos idos de 48, 49. Eu estava assim muito empenhado, eu queria ser músico de qualquer jeito, me aproximei dele e depois nos tornamos grandes amigos. O Dorival Caymmi é um gênio, uma pessoa assim que se eu pensar em música brasileira eu vou sempre pensar em Dorival Caymmi. Ele é uma pessoa incrivelmente sensível, uma criação incrível, eu digo isso sob o ponto de vista musical, sem falar do poeta e do pintor, porque o pintor, inclusive, eu ganhei um quadro dele, eu dei uma flauta ao filho dele e ele me deu um quadro que é uma maravilha. Eu outro dia perguntei a Danilo Caymmi: mas, rapaz, como é que seu pai pinta assim? Ele disse, ele estudou. Um negócio! Porque o Dorival é um grande pintor mesmo, não é negócio de brincadeira não, e nas músicas, então, nem se fala…

I met Dorival Caymmi way back in 48, 49. I was very eager, I wanted to be a musician no matter what, and tried to get acquainted with him; afterwards we became good friends. Dorival Caymmi is a genius, a person of such talent that if I think of Brazilian music I’ll always think of Dorival Caymmi. He is an incredibly sensitive person, has a tremendous creativeness, and I say this from a musical viewpoint, without speaking about the poet and the painter. Because the painter… I have one of his paintings. I gave his son a flute and he gave me a painting of his, that is marvelous. The other day I asked Danilo Caymmi: Tell me, how can your father paint so well? He said: He studied. It’s something! Because Dorival is really a great painter, it’s not just for fun, no; and in his songs then he’s the tops.

jorgeAmado-CaymmiJORGE AMADO

Caymmi representa um dos momentos mais altos da criação brasileira e da criação baiana, em particular. Quer dizer, a poesia mais profunda da vida baiana, do povo baiano. Caymmi é uma flor nascida lá em cima que desabrocha de toda essa terra trabalhada, da cultura popular adubada com suor, com sangue, com sonho, com esperança, com todas as dificuldades possíveis que o homem encontra, com toda a magia, e que de repente produz uma flor de cultura, uma coisa esplêndida, única, luminosa, que é a obra de Caymmi, desse poeta extraordinário.

Caymmi represents one of the peak moments of Brazilian creation and particularly Bahia’s creation. That is, the most profound poetry of life in Bahia, of people from Bahia. Caymmi is a flower horn up above, that blooms out of this whole toiled land, from popular culture, fertilized with sweat, with blood; no, with dreams, with hope, and all the difficulties a man can possibly encounter; all the magic, and which suddenly produces a flower of culture, a splendid thing, unique, radiant, which is the work of Caymmi, this extraordinary poet.

caymmi-CaetanoCAETANO VELOSO

Caymmi é fácil demais e, por isso mesmo, um pouco difícil falar de Caymmi. Porque ele é uma paixão total, assim, o amor que eu tenho por ele e que eu posso conceber que se tenha por ele, é assim total, sem limitações, é uma coisa assim de uma beleza ilimitada, e ao mesmo tempo é uma coisa muito simples. Ele é um compositor até que não é, como é que se diz, prolixo, ele não tem canções demais, ele tem um número grande de canções, mas relativamente pequeno, comparado com outros compositores, mas cada canção dele é uma jóia, assim perfeita, e todo o clima dele é uma clima de quase uma sabedoria muito profunda que ele parece tertido desde sempre, é uma coisa, calhou acontecer aquele homem, não é? O João Gilberto fala sempre que o Caymmi é que é o gênio da raça. O João Gilberto diz que aprendeu tudo com Caymmi e que a gente deve estar sempre aprendendo com Caymmi. “Aprenda tudo com ele…” o joão Gilberto fala de Caymmi. Você vê, é engraçado porque… são três gerações: o Caymmi, o João Gilberto e eu, e o João Gilberto diz isso pra mim, pra mim e pros meus colegas de geração, pros meus companheiros, e o João Gilberto foi o mestre imediato da minha geração, porque nós somos uma geração que começou com uma admiração, por uma admiração pela bossa nova, não é?… E a bossa nova foi que nos formou e o João Gilberto que era o núcleo, o centro da bossa nova, assim, ele sempre viu o Caymmi como o exemplo máximo do artista como deve ser e do homem como deve ser.

Caymmi is too easy and for this very reason it is rather difficult to speak about Caymmi. Because he is an absolute passion, and the love I have for him and that I can conceive it is possible to have for him, is absolute too, with no limitations, it’s a thing of unlimited beauty; it is not, and at the same time it is, a very simple thing. He is a composer who is not too, how do they say it, prolix; he doesn’t have too many songs, he has a large number of songs, but relatively few when compared to other composers. But each of his songs is a jewel, so perfect, and all his aura is an aura nearly of a very profound wisdom, which he seems to have had always. It is something! it just happened that there exists such a man, isn’t that true? João Gilberto always says that Caymmi is the real genius of the race. João Gilberto tells that he learned everything from Caymmi and that we should always be learning from Caymmi. “Learn everything from him…”, João Gilberto says about Caymmi. You see, it is funny… because we are three generations: Caymmi, João Gilberto and I, and João Gilberto says this to me, to me and to all colleagues of my generation, to my friends. And João Gilberto was the immediate master of my generation, because we are a generation that began with an admiration, an admiration for bossa nova, isn’t it?… And it was bossa nova that formed us, and João Gilberto was the nucleus, the core of bossa nova, and he always regarded Caymmi as the utmost example of how an artist ought to be and how a man ought to be.

Caribe-Caymmi-JAmadoCARYBE

O Axé de Opó-Afojá, Candomblé de Mãe Senhora, uniu três pessoas que hoje em dia são três irmãos de esteira — cada um tem uma esteira. Agora, um é Obá Onicoí, outro é Obá Olorum e o outro é Obá Onoxocum. Em português, seriam Dorival Caymmi, Jorge Amado e Carybé. E, aí nos unem laços assim secretos e misteriosos, não é?… Agora na vida comum eu acho que ele é fabuloso. Agora, ele tem uma coisa contra que não consegue fazer as coisas por causa da preguiça, porque o grande inimigo dele é a preguiça, ou amigo, deve ser amigo, mais do que inimigo, porque não há dúvida que preguiça é uma coisa gostosa, não é? Com bicho-do-pé, se tiver, ainda melhor. Ele fica lá naquele Rio das Ostras, comendo ostra, tocando violão, limpando garrucha, punhais, colecionando bengalas… Então ele vai levando a vida assim… Pinta um quadrinho, e tal, todos eles são bons, menos o meu retrato porque o meu retrato é o Retrato de Dorian Gray, que ele vai pegando, assim, cada dois anos, três anos, um ano e meio, então, mudo… De repente eu estou mais mocinho, daqui a pouco ele faz um coroco, e, enfim, é isso…

O Axe de Opó-Afojá, MãeSenhora’s Candomblé, united three persons who are today three worshipbrothers. One is Obá Onikoí, another is Obá Olorum and the other Obá Onoxokum. In Portuguese they would be Dorival Caymmi, Jorge Amado and Carybé. And so we are united by bonds that are secret and mysterious… Now, in everyday life, I think he is fabulous. But he has one thing against him, he cannot do things on account of his lazyness, because lazyness is his big enemy, or friend; I guess it must be a friend, more than an enemy, because no doubt lazyness is something delightful, isn’t it? With chigoe, if you have it, better still. He stays there in that faraway Rio das Ostras, eating oysters, stringing his guitar, polishing blunderbusses, daggers, collecting canes… And so he takes life easy… He hangs around, paints a picture or so, all of them good by the way, with the exception of my portrait, because my portrait is the real “Portrait of Dorian Gray”, which he goes back to every two years, three years, one year and a half… and I change. All of a sudden lam younger, then he makes me a decrepit old man… Yeah, that’s what I had to say…

DORIVAL CAYMMI

30/4/1914 Salvador, BA
16/8/2008 Rio de Janeiro, RJ





Ary Barroso e Dorival Caymmi – Ary Caymmi Dorival Barroso | Um Interpreta o Outro (1958)

6 04 2013

Link original: Ary Barroso e Dorival Caymmi – Ary Caymmi Dorival Barroso | Um Interpreta o Outro (1958)
Publicado em: Thursday, May 08, 2008 by zecalouro

Dorival Caymmi & Ary Barroso - Ary Caymmi E Dorival Barroso (1958)

It is possible that you think I am creating these facts just to add some drama to my writing, but it is absolutely true when I say this album was among those who could not be recovered in the reconstruction of the links and it is made available again by another contribution sponsored by Jorge Mello. Thanks Jorge, I was really afraid to announce this weekend this anthological album was missed and now I’m really glad to bring it back to Loronix. Let’s see.

This is Ary Barroso e Dorival Caymmi – Ary Caymmi Dorival Barroso | Um Interpreta o Outro (1958), for Odeon, featuring Ary Barroso performing Dorival Caymmi repertoire at the piano and Dorival Caymmi playing violao and singing Ary Barroso standards,is a beauty of an album that never had the chance of a CD reissue. Ary Barroso piano is beautiful and Dorival Caymmi singing Ary Barroso music is fascinating. This cover is also amazing showing Ary Barroso at Dorival Caymmi’s universe, completely lost as a fisherman and Dorival Caymmi having a lot of fun of Ary and wearing the colors of Flamengo. I hope you have the same pleasure I had this week spinning this album after a long time. Tracks include:

01 – Lá Vem a Baiana (Dorival Caymmi) by Ary Barroso
02 – Risque (Ary Barroso) by Dorival Caymmi
03 – Maracangalha (Dorival Caymmi) by Ary Barroso
04 – Por Causa Desta Cabocla (Ary Barroso / Luis Peixoto) by Dorival Caymmi
05 – João Valentão (Dorival Caymmi) by Ary Barroso
06 – Inquietação (Ary Barroso) by Dorival Caymmi
07 – Na Baixa do Sapateiro (Ary Barroso) by Dorival Caymmi
08 – Marina (Dorival Caymmi) by Ary Barroso
09 – Maria (Ary Barroso / Luis Peixoto) by Dorival Caymmi
10 – Dora (Dorival Caymmi) by Ary Barroso
11 – Tu (Ary Barroso) by Dorival Caymmi
12 – Nem Eu (Dorival Caymmi) by Ary Barroso

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Este disco pode ser buscado no Arquivos do Vinil ao CD e no Martoni.





Jacques Klein – Musicas de Dorival Caymmi na Interpretacao de Jacques Klein (1953)

11 02 2013

Link original: Jacques Klein – Musicas de Dorival Caymmi na Interpretacao de Jacques Klein (1953)
Publicado em: Thursday, February 14, 2008 by zecalouro

Jacques Klein - Musicas de Dorival Caymmi na Interpretacao de Jacques Klein (1953)

Every time I think I know everything about Brazilian music, I find something that tells me that I have a lot to learn. This album is a perfect example, featuring an artist that I never heard about, but with a prolific discography and several contributions as sideman on other artist albums. Let’s see.

This is Jacques Klein – Musicas de Dorival Caymmi na Interpretacao de Jacques Klein (1953), for Sinter, which is the fifth album released by Sinter in the 10-inch format. Jacques Klein is a pianist with a classical background, being the winner of 1955 Harriet Cohen contest in London as the best pianist of that year. This album brings Jacques Klein accompanied by drums and bass performing instrumental renditions of Dorival Caymmi music, including two compositions where Jacques Klein is listed as Dorival Caymmi’s partner, 02 – Tao So and 07 – Nessa Rua Tao Deserta. The vinyl was on a terrible shape and you will notice eventual noise, so take it for its importance and the chance to list at Loronix a new artist with an important contribution to Brazilian music. Tracks include:

Personnel

Jacques Klein
(piano)
Vidal
(bass)
Trinca
(drums)

Track List

01 – Dora (Dorival Caymmi)
02 – Tão Só (Dorival Caymmi / Jacques Klein / Carlos Guinle)
03 – Não Tem Solução (Dorival Caymmi / Carlos Guinle)
04 – Valerá a Pena (Dorival Caymmi)
05 – Marina (Dorival Caymmi)
06 – Nem Eu (Dorival Caymmi)
07 – Nesta Rua Tão Deserta (Dorival Caymmi / Jacques Klein / Carlos Guinle / Hugo Lima)
08 – João Valentão (Dorival Caymmi)

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Esse disco pode ser buscado no Martoni.





Dorival Caymmi – Cancoes Praieiras (1954)

5 02 2013

Link original: Dorival Caymmi – Cancoes Praieiras (1954)
Publicado em: Tuesday, February 05, 2008 by zecalouro

Dorival Caymmi - Cancoes Praieiras (1954)

 

Dorival Caymmi - Cancoes Praieiras (1954)-BACK

I was very frustrated for not being able to repost Cancoes Praieiras, which is Dorival Caymmi masterpiece, at least in my humble opinion. I was reluctant to make a copy of my vinyl, he is not on ideal conditions in terms of media and cover artwork, but the chances to get this one on a nice shape is really small, so I decided to make my best effort on a restoration, but I was not able to make it with no background noise. I’m making it in respect of several friends who have been requesting this one gathering my original text from August 2006. Let’s see.

This is Dorival Caymmi – Cancoes Praieiras (1954), for Odeon, a superb and extremely beautiful featuring Dorival Caymmi and his violao. Cancoes Praieiras was recorded 54 years ago and remains fresh as yesterday. The 10-inch format delivers a short 23 minutes duration time with only eight songs. Tracks include:

01 – Quem Vem Pra Beira do Mar (Dorival Caymmi)
02 – O “Bem” do Mar (Dorival Caymmi)
03 – O Mar (Dorival Caymmi)
04 – Pescaria (Canoeiro) (Dorival Caymmi)
05 – É Doce Morrer no Mar (Dorival Caymmi)
06 – A Jangada Voltou Só (Dorival Caymmi)
07 – Lenda do Abaete (Dorival Caymmi)
08 – Saudade de Itapoã (Dorival Caymmi)

Attention: Music files are now updated, courtesy AdHoc, that Rocks! Thanks also Alvinho, cvllos and all other friends made available their music to us.

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Esse disco pode ser buscado no 300 Discos.





Dorival Caymmi – Caymmi e Seu Violao (1959)

13 01 2013

Link original: Dorival Caymmi – Caymmi e Seu Violao (1959)
Publicado em: Monday, January 14, 2008 by zecalouro

Dorival Caymmi - Caymmi e Seu Violao (1959)

I received a call from a friend that loves Brazilian music, but does not have much patience or computer skills to use Loronix Find It and search for the music he is looking for. It is better this way, he has a great sense of humor and I have a lot of fun when he calls to ask for help with Loronix matters. He called this afternoon looking for “the pink Caymmi album with Caymmi and violao only”, according with his own words.

When I reached this album, made available in June 2006 with ZERO comments, I told him to wait 24 hours and check Loronix front page. The first thing I did was searching for my vinyl to make a new copy and produce better cover scans. This album is an essential and really needs a better approach and a whole day at the front page. Let’s see.

This is Dorival Caymmi – Caymmi e Seu Violao (1959), for Odeon, with production and direction of Aloysio de Oliveira. According with Luiz Americo and his 100 Discos Fundamentais da Musica Popular Brasileira collection, Odeon executives did not believe that an album with only Caymmi’s voice and violao would be commercially viable, since other artists previously recorded all songs with orchestra and conjunto accompaniment, being the single exception 08 – O Bem do Mar. But the tireless Aloysio de Oliveira could make it and this album still sounds fresh almost 50 years before recorded. Dorival Caymmi was on his peak, delivering definitive renditions of his own repertoire. Now I can rest assured this masterpiece has the place deserved at Loronix. Tracks include:

01 – Canoeiro (Dorival Caymmi)
02 – A Jangada Voltou Só (Dorival Caymmi)
03 – 2 de Fevereiro (Dorival Caymmi)
04 – É Doce Morrer no Mar (Dorival Caymmi / Jorge Amado)
05 – Coqueiro de Itapoã (Dorival Caymmi)
06 – O Mar (Dorival Caymmi)
07 – O Vento (Dorival Caymmi)
08 – O “Bem” do Mar (Dorival Caymmi)
09 – Quem Vem Pra Beira do Mar (Dorival Caymmi)
10 – A Lenda do Abaeté (Dorival Caymmi)
11 – Promessa de Pescador (Dorival Caymmi)
12 – Noite de Temporal (Dorival Caymmi)

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Esse disco pode ser buscado no 300 Discos.