Cesar Mariano & Cia – Sao Paulo – Brasil (1977)

21 03 2012

Link original: Cesar Mariano & Cia – Sao Paulo – Brasil (1977)
Publicado em: Tuesday, May 08, 2007 by zecalouro

When I was in Sao Paulo I heard for more than a few friends that I speak too much in Rio de Janeiro. It is natural, I live in Rio and I do it without knowing. I was not planning to make this post today and it is not only a given album with Sao Paulo at cover to make people happy, this is a great album and although made available before at the Acesso Raro and Orgy in Rhythm, I think it is widely unknown to Loronixers.

This is Cesar Mariano & Cia – Sao Paulo, Brasil (1977), for RCA Victor, a musical portrait of Sao Paulo City and the second Cesar Camargo Mariano solo LP, released eleven years after the first, Octeto de Cesar Camargo Mariano (1966). Each song is dedicated to a city attribute, such as: the subway, industries and others. Let’s see how Loronixers feedback this album. Tracks include:

Personnel

César Camargo Mariano
(keyboards, voice, percussion)
Natan Marques
(guitar, violao, voice)
Crispim del Cistia
(guitar, violao, keyboards, voice)
Wilson Gomes
(bass)
Dudu Pontes
(drums, percussion)

Track List

01 – Metrópole (César Camargo Mariano)
02 – Estação do Norte (César Camargo Mariano)
03 – Fábrica (Dudu Portes)
04 – Poluição (César Camargo Mariano)
05 – Imigrantes (Nathan Marques)
06 – Metrô (Crispin del Cistia / Nathan Marques)
07 – Litoral (César Camargo Mariano)
08 – Futebol de Bar (César Camargo Mariano)

.

Este disco pode ser buscado no Um que Tenha.





Music Video | Cesar Camargo Mariano & Zimbo Trio

10 02 2012

Link original: Music Video | Cesar Camargo Mariano & Zimbo Trio
Publicado em: Sunday, March 18, 2007 by zecalouro

Luiz Harding, the tireless Loronix friend provides another video, Cesar Camargo Mariano with Zimbo Trio. Luiz Harding says this video brings an encounter that celebrates the end of some issues between Cesar Camargo Mariano Trio, Som Tres and Zimbo Trio.

Thanks a lot Luiz, your effort on transforming your collection to Loronixers is of real value to us and to the Music from Brazil as a whole, your work makes such wonderful moments eternal, otherwise they would fall only on memories of a few privileged friends.

Hope uEnjoy!

PS.: Luiz, let’s give a chance to Godoy next time! 🙂

.

Mais um vídeo conseguido pelo amigo bOssas nOvas!

 





Elis Regina e Conjunto de Cesar Camargo Mariano – Live in Tokyo (1979)

18 12 2011

Link original: Elis Regina e Conjunto de Cesar Camargo Mariano – Live in Tokyo (1979)
Publicado em: Friday, January 19, 2007 by zecalouro

I spoke with Caetano a few hours ago and I’m happy to made that call. Caetano remembered me an important date, Elis Regina passing twenty-five years ago. It seems it was yesterday. I remember this day, I was playing guitar at my grandfather’s house with a group of friend when the new came from someone who told us. I was very young to understand what would be Elis Regina’s passing along the forthcoming decades, but I got really sad, as I use to be everytime we heard about an artist passing.

Caetano said that would be a shame if Loronix does not make anything to remember Elis Regina and that’s what we decided to do. This is Elis Regina e Conjunto de Cesar Camargo Mariano – Ao Vivo em Tokyo (1979), for Loronix Records (I could not resist, sorry!). Actually, this is not an Elis Regina career record, but the recording of her performance with Cesar Camargo Mariano on a live presentation made in Tokyo, 1979. I received this recording from a friend and the quality is pretty good.

Conjunto de Cesar Camargo Mariano accompanies Elis Regina and includes Cesar Camargo Mariano (piano), Helio Delmiro (guitar), Luizao (bass), Paulinho Braga (drums) and Chico Batera (percussion). The cover artwork is by zecalouro. If someone can prepare a better one, we will be pleased; if possible, we can replace this one. No tracks this time, but you will have 41 minutes of Elis Regina on a recording that probably nobody could hear before.

Elis Regina deserves more, so I’m showing the first songs performed by Elis at Montreux Jazz Festival.

Cobra Criada

.

Amor até o fim

.

Esta gravação pode ser buscada no DJ Uilson Professor Groove.





Cesar Camargo Mariano e Nelson Ayres – Prisma (1985)

7 10 2011

Link na Internet Wayback Machine: Cesar Camargo Mariano e Nelson Ayres – Prisma (1985)
Publicado em: WEDNESDAY, JUNE 21, 2006

Cesar Camargo Mariano put in place in 1985 a first of a kind Brazilian instrumental music experience. With Nelson Ayres (piano and keyboards), Crispin DelCistia (keyboards), Azael Rodrigues (drums) and João Parahyba (percussion), Cesar creates his second instrumental music show, “Prisma” (“Prism”) at the Bandeirantes theater in São Paulo, with computers, keyboards and digital equipment, this time used live. After a two-month run, Cesar produce an album of this show, also called “Prisma” and begin a two-year tour throughout Brazil. The show comes to be considered a high point in Brazilian instrumental music, acclaimed by both critics and public alike.

.

Este disco pode ser buscado no Abracadabra.





Som Tres – Um e Pouco, Dois e Bom, Esse Som Tres e Demais (1969)

27 09 2011

Link original: Som Tres – Um e Pouco, Dois e Bom, Esse Som Tres e Demais (1969)
Publicado em: Friday, November 03, 2006 by zecalouro

Before showing this release, I want to make an announcement that is very important to our Brazilian music community. Sabadabada.com had sometime earlier this week an update. This update came to my attention by the Bossanovadreamer, the connected German friend of Loronix.

But it was not an upgrade, we are talking about a *major* upgrade with approximately 75 new LP covers, bought on a single box a few years ago and forgot in a closet, according with Sabadabada own words. When I read that I ran quickly to my closet and nothing was found… The music was also updated with my highlights to Ruy Maurity – Safra/74 (1973), for Odeon and De Savoya – De Savoya (1972), for Polydor, De Savoya is Ed Lincoln.

That’s it Take a time to visit the updated Sabadabada.com, the Sanctuary of Bossa Nova, here. (http://sabadabada.com)

With this update, I could finally manage a quality cover for this release, Som Tres – Um e Pouco, Dois e Bom, Esse Som Tres e Demais (1969) for Odeon. The wait was worth; this cover is amazing with these 70’s clothes. It looks like they are dressed for a Bruce Lee movie.

Cesar Camargo Mariano arranges this LP and Som Tres is César Camargo Mariano (piano), Sabá (bass) and Toninho (drums). Tracks include:

01 – Tanga (Toninho / César Camargo Mariano)
02 – Trevo de 4 Folhas (I’m Looking Over a Four Leaf Clover) (M. Dixon / H. Woods)
03 – Love Letters (V. Young / E. Heyman) — Meu Nome É Gal (Roberto Carlos / Erasmo Carlos)
04 – Take It Easy My Brother Charles (Jorge Ben “Jorge Benjor”)
05 – Teletema (Antônio Adolfo / Tibério Gaspar)
06 – Spooky (M. Shapina / H. Middlebrooks / B. Bule / J. Cobb)
07 – Não Identificado (Caetano Veloso)
08 – O Meu Baião (César Camargo Mariano / Chico Anísio)
09 – Bird Brain (Henry Mancini)
10 – Só Faltava Você (Sabá)
11 – Horizonte (Luis Cláudio / Luis Fernando Fonseca)
12 – Um É Pouco Dois É Bom Este Som Três É Demais (Luis Cláudio / Luis Fernando Fonseca)

.

Este disco pode ser buscado no Um que Tenha.





Som Três – Tobogã (1970)

5 09 2011

Link original: Som Três – Tobogã (1970)
Publicado em: Saturday, September 30, 2006 by zecalouro

Toboga is the name of this LP from Cesar Camargo Mariano combo Som Tres, but is also the name of the slope these Three guys are having fun. I do not know how common was the toboga outside Brazil in the 70’s, but here it was real a mania.

Back to business, this is the last out of five LPs released by Som Tres, one of the best Bossa Nova Trios from the late 60’s, lead by Cesar Camargo Mariano. This is a really late debut at Loronix and you should take this record and this group with a special attention. Som Tres is Cesar Camargo Mariano (piano), Saba (bass) and Toninho Pinheiro (drums). zecalouro is providing AMG bio for Cesar Camargo Mariano. Tracks include:

1. Lôla (Lamartine Babo)
2. Irmãos Coragem (Nonato Buzar / Paulinho Tapajós)
3. Bajar no México (César Camargo Mariano)
4. Eu Já Tenho Você (César Camargo Mariano / Sabá)
5. Eu Só Posso Assim (Pingarilho / Marcos Vasconcellos)
6. O Telefone Tocou Novamente (Jorge Ben “Jorge Benjor”)
7. Oh Happy Day (Tradicional / Adpt. Edwin R. Hawkins)
8. Tobogã (César Camargo Mariano)
9. Mulher Brasileira (Jorge Ben “Jorge Benjor”)
10. A Volta da Maçã (César Camargo Mariano / Toninho / Sabá)

One of Brazil’s top arrangers, producers, and pianists, César Camargo Mariano has had extensive work in the most important arenas of the world. He has had musicians like Abe Laboriel, Alex Acuña, Mitch Holder, Paulinho da Costa, Jerry Hey, Bill Rickenbach, Ernie Watts, Hélio Delmiro, Wagner Tiso, Nelson Ayres, Crispin DelCistia, Azael Rodrigues, João Parahyba, among many others, participating on his solo albums. Mariano also co-produced, arranged, played the piano, and/or did the artistic direction for several shows and albums of Brazil’s most important contemporary artists like Elis Regina, Nana Caymmi, Gal Costa, Maria Betânia, Simone, Rita Lee, Elba Ramalho, Ney Matogrosso, João Bosco, Leny Andrade, Leila Pinheiro, Beth Carvalho, Emilio Santiago, Ivan Lins, Ivete Sangalo, and others. Among his many awards are the eight Clio’s and several São Paulo’s Association of Art Critics (APCA) awards as musician, composer, arranger, and producer of records and shows. Over the past two decades, Mariano has produced, directed, and headed various TV programs. Mariano also wrote soundtracks for films, plays, and prime time nationwide soap operas (like Mandala).

Mariano started playing the piano by ear at 13, never having studied music before. Nine months later he played with Melba Liston (June 1957) in her concert in Rio. In the ’60s, Mariano was hired by the William Furneaux Orchestra, playing dances. He also formed a quartet at that time with Theo de Barros (bass), Flavio Abattipietro (trumpet), and José Luis Schiavo (drums). Invited by Simonetti, Mariano put together a larger group, Três Américas, to cover some of Simonetti’s gigs. In the A Baiúca nightclub (São Paulo) in 1962, Mariano participated in the Sabá Quartet with Sabá Oliveira (bass), Hamilton Pitorre (drums), and Theo de Barros (guitar). In the same year, Mariano produced and arranged Claudete Soares’ Claudete é Dona da Bossa. In 1963 Mariano recorded his first album, Quarteto Sabá. Together with Airto Moreira and Humberto Clayber, Mariano formed the Sambalanço Trio (1964). With the American choreographer, dancer, and singer Lennie Dale, Mariano staged a bossa nova show that was a success, yielding the album Lennie Dale & Sambalanço Trio No Zum-Zum, which received two prizes from the newspaper Jornal do Brasil. From 1965 to 1971, Mariano led the Som Três trio. In 1967, Mariano wrote 12 arrangements for singer Marisa Gata Mansa. In 1968, Mariano became Wilson Simonal’s producer, arranger, and musical director. In 1969, Mariano participated in the Festival of Black Arts in Senegal, Africa, with the singer Elizeth Cardoso and the Som Três trio. In 1971, Mariano was invited by Elis Regina to direct, produce, and arrange her new show at the Teatro da Praia in Rio and her new album for PolyGram, Elis. He put together a new quartet with Luisão Maia (bass), Helio Delmiro (guitar), and Paulinho Braga (drums). This would be the first of a series of 13 albums with Elis Regina. Mariano’s first instrumental solo work was the show São Paulo Brasil (1978). In 1980, Mariano wrote and recorded the soundtrack for Arnaldo Jabor’s Eu Te Amo. Two years later he wrote the soundtrack for Bruno Barreto’s Além da Paixão. In 1988, Mariano performed another instrumental music show with Dino Vicente (keyboards), Luisão Maia, and Pedro Ivo (bass), Azael Rodrigues and João Parahyba (percussion), Ulisses Rocha (guitar), and Pique Riverte (saxes and flute). The show, called Ponte das Estrelas, was recorded live and toured all over Brazil and Latin America. In 1989, at the Montreaux Jazz Festival, Mariano performed as a duet with João Bosco. Putting together an acoustic trio with Hélio Delmiro on guitar and Paulo Moura on clarinet, they traveled to Spain for a ten-concert tour. In 1990 Mariano composed the soundtrack for another film, Paixão Cigana (Flávia Moraes), and the score for the play Luar em Preto e Branco. In 1994, Mariano moved to the United States. In that year he met Sadao Watanabe, who invited him to produce and arrange Watanabe’s album In Tempo. Sadao Watanabe would bring Mariano again to produce and arrange his album Viajando. In that first period, Mariano played a piano concert at the Blue Note club in New York and traveled to Japan for various appearances with Watanabe and his group. In Chile, Mariano performed a four-handed piano concert with Michel Petrucciani. He also participated in Armando Manzanero’s album El Piano — Manzanero y Sus Amigos. In New York in 1996, Mariano gave a solo concert at the Ballroom, along with John Patittucci’s group. With Romero Lubambo (guitar), Leo Traversa (bass), and Mark Walker (drums), Mariano performed a tribute to Elis Regina at the Montreaux Jazz Festival with special guest Milton Nascimento. At the end of the year, Mariano directed a Brazilian music show at the Lincoln Center. In 1997, along with his quartet, he performed with Michael Brecker and Dianne Reeves at the Heineken Festival in São Paulo and Porto Alegre, Brazil. In Mexico, Mariano produced an album for PolyGram Latino with 12 Latin American singers (Tania Libertad, Vikky Car, Emmanuel, Maria Conchita Alonso, among others) backed only by piano and keyboards, Piano, Voz y Sentimento. In October, maestro and producer Ettore Stratta invited Mariano to join him in putting on the All Jobim concert at Carnegie Hall in New York. Acting as musical director and arranger for the concert, Mariano also performed alongside Ivan Lins, Leila Pinheiro, Dori Caymmi, Joe Lovano, Sharon Isbin, Eugene Maslov, and Al Jarreau. In April, invited by Ivan Lins, Mariano put together a duet program with Romero Lubambo on guitar for a series of concerts in the Brasil Musical (Musical Brasil) project in Rio de Janeiro. Followed another tour to Japan for various concerts alongside Sadao Watanabe, joined by Paulo Braga (drums), Marcelo Mariano (bass), Romero Lubambo (guitar), and Café (percussion). With guitar player Romero Lubambo, Mariano performed at Birdland in New York and at the Jazz Showcase in Chicago. In May 1999, invited by maestro Gil Jardim, Mariano participated in the Café Com Leite, a spectacle with the Brazilian Philharmonic Orchestra, followed by a a solo tour through Brazil. In September, Mariano was again invited by maestro Ettore Stratta to direct the All Jobim show at Carnegie Hall in New York. This time participants included João Bosco, James Ingram, Simone, Michael Brecker, the New York Voices, Paula Robinson, and the duo formed by Mariano and Romero Lubambo. In October and November, Mariano wrote the string arrangements for Blossom Dearie’s album Blossom’s Planet (Daffodil Records) and the arrangements for Romero Lubambo’s album Love Dance (Aosis/JVC Japan).

.

Este disco pode ser buscado no 300 Discos.





Cesar Camargo Mariano – Octeto Cesar Camargo Mariano (1967)

30 07 2011

Link original: Cesar Camargo Mariano – Octeto Cesar Camargo Mariano (1967)
Publicado em: Tuesday, June 27, 2006 by zecalouro

Cesar Camargo Mariano is worldly acclaimed as one of the best Brazilian arrangers, producers and pianists. Cesar has worked with several renowned artists worldwide on several important arenas of contemporary music.

In 1967, Cesar was member of the Bossa Nova Jazz Sambalanco Trio and then assembled Octeto Cesar Camargo Mariano, which was Sambalanco Trio plus five brass players.

This 1967 Cesar Camargo Mariano – Octeto de Cesar Camargo Mariano is considered a landmark in the fusion of Jazz and Bossa Nova in Brazil.

.

Este disco pode ser buscado no Um que Tenha.